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**RATINGS ALERT** ‘BATTLESTAR GALACTICA’ FINALE SCORES BEST PERFORMANCE IN OVER FOUR YEARS WITH NEW LIVE + 7 DATA, 2 more sneak clips at CAPRICA

Wednesday, April 8th, 2009

Series Finale is the Highest-Rated Telecast on SCI FI in 2009

NEW YORK – April 7, 2009 – Battlestar Galactica’s epic series finale, airing from 9-11pm on Friday, March 20, added to its phenomenal ratings with the inclusion of Live + 7 DVR data. Overall, the episode averaged a 2.2 Household rating, 3.1 million total viewers, 2.1 millon Adults 25-54 and 2 million Adults 18-49. This was the best performance for Battlestar Galactica in total viewers, Adults 25-54 and Adults 18-49 since the February 4, 2005 episode.

In addition, among all SCI FI original series telecasts in the network’s 16 year history, this is the #5 most-watched original series performance in Adults 25-54 and the best performance for any original series on this measure since 2005, and is the #4 most-watched telecast in Adults 18-49.

Battlestar Galactica is the gripping saga of humanity’s last remnants and their struggle to find a new home while fleeing from their deadly Cylon enemies. Redefining the space opera with its gritty realism, Galactica’s intensity, issues-driven topicality, and command performances have garnered it numerous awards, including two Emmys and the prestigious George Foster Peabody Award. The show was recognized by the American Film Institute (AFI) as one of the most outstanding programs of the year two years running. The series is from Universal Cable Productions and is executive produced by Ronald D. Moore and David Eick.

A limited-edition, uncut version of the highly-anticipated pilot of Caprica, the new drama series from the producers of Battlestar Galactica, will premiere on DVD from Universal Home Entertainment on Tuesday, April 21, 2009.

Source: SCIFI

Order Caprica uncut on DVD
Two more clips from Caprica!

SCI FI JUMPS TO #5 AMONG ADULTS 25-54 FOR MARCH POWERED BY BATTLESTAR GALACTICA, GHOST HUNTERS AND GHOST HUNTERS INTERNATIONAL

Thursday, April 2nd, 2009

BEST FIRST QUARTER EVER AMONG WOMEN 18 – 34

SCI FI Posts Tenth Consecutive Quarter of Growth Among Women 18-49 and Women 25-54 Continuing Momentum Among Women Viewers

NEW YORK – March 31, 2009 – Propelled by Battlestar Galactica, Ghost Hunters and Ghost Hunters International, SCI FI soared into 5th place among basic cable entertainment networks in Adults 25-54 (665,000) in March, improving over last March’s #8 ranking.

The network posted impressive gains across the demo board, leaping 10 percent among Women 18-34 (110,000), seven percent among Men 18-49 (327,000) and Adults 18-34 (228,000), six percent among Men 25-54 (381,000), five percent among Adults 18-49 (592,000), and four percent among total viewers (1,235,000).

Continuing the sizzling momentum among women viewers that has driven the prime audience up to 45 percent female among total viewers, the First Quarter marked the channel’s 10th straight quarter of growth among Women 18-49 (261,000) and Women 25-54 (290,000), and was SCI FI’s best first quarter ever among Women 18 -34.

In 1Q, Ghost Hunters International and Ghost Hunters combined to seize the #1 spot in the Wednesday 9PM (ET/PT) time period among Women 25-54 (756,000) as well as Adults 18-49 (1.3 million) and Adults 25-54 (1.4 million).

The season five premiere of Ghost Hunters on March 11 marked the program’s best season premiere ever in the key demos with more than three million total viewers and a 2.15 HH rating, 1.8 million Adults 18-49 and 1.9 million Adults 25-54.

The fourth and final season of the award-winning Battlestar Galactica captured its Friday 10PM (ET/PT) time slot among Men 18-49 (1.0 million) and Men 25-54 (1.1 million).

SCI FI HAS BEST NOVEMBER EVER!

Tuesday, December 2nd, 2008

Ranked #5 Among Viewers 25-54

#8 Among Viewers 18-49
And #9 Among Females 25-54

SCIFI.COM Delivers Best November Ever With Double-Digit Growth

New York, NY – December 2, 2008 – Building on a year of unprecedented growth, SCI FI Channel scored its best November ever with 1.3 million total viewers, 605,000 Adults 18-49 and 689,000 Adults 25-54.

SCI FI also continued its growth in popularity among women, with double-digit growth vs. November 2007 in Females 25-54 (up +17%) as well as success in Females 18-49 (+9%). For November 2008, SCI FI was the #9 cable network among Females 25-54.

Program ratings highlights for November 2008 include:

· This November, Ghost Hunters continued its best season yet, with 2.9 million total viewers, 746,000 Adults 18-34, 1.7 Million Adults 18-49 and 1.8 million Adults 25-54. Compared to the Fall 2007 season, it is up +33% in total viewers, +11% in Adults 18-34, +22% in Adults 18-49 and +31% in Adults 25-54.

· The 3rd annual Ghost Hunters Live event on Halloween delivered 1.5 million Adults 18-49, 1.6 million Adults 25-54 and 2.6 million total viewers and marked SCI FI’s best-ever 7-11pm performance on Halloween in all key demos. Compared to Halloween 2007, this year’s live event was up by +11% in Adults 18-49, +19% in Adults 25-54 and +21% in total viewers.

· Three original episodes of Ghost Hunters this month placed among the top 30 entertainment telecasts in cable for Adults 25-54.

· The series premiere of Estate of Panic marked the best-ever Ghost Hunters companion series debut among Adults 18-34 and Adults 25-54. Compared to the series premiere of the latest Ghost Hunters companion series, Destination Truth (Wed 06/06/07 at 10P), Estate was up +18% among Adults 18-34 and up +5% among Adults 25-54.

· The Original Movie premiere of Yeti on November 8 delivered 1.1 million Adults 18-49, 1.3 million Adults 25-54 and 2.5 million total viewers, making it the top SCI FI Original Movie premiere in Adults 25-54 demographic since April 2007’s Lake Placid 2. Compared to the year-to-telecast average for Saturday SCI FI Original Movie premieres, it was up +45% among Adults 18-49, up +41% among Adults 25-54 and up +30% in total viewers.

SCIFI.COM also enjoyed its best November ever, delivering 3.5 million uniques (+5% vs. November 2007), 5.2 million visits (+9%) and 3.8 million video streams (+24%). The Ghost Hunters site was an especially popular destination for fans, making it the #1 section of SCIFI.COM in page views (5.5 million) and video streams (1.1 million) – up +87% and +58%, respectively, over November 2007. SCI FI Wire, SCIFI.COM’s entertainment news section, also enjoyed a successful month with 2.2 million page views – its best month since August 2008 and up +36% over November 2007.

Source: NBC

SCI FI HAS BEST HALLOWEEN EVER WITH GHOST HUNTERS LIVE!

Tuesday, November 4th, 2008

Channel is #1 Cable Entertainment Network in Primetime on Halloween

SCI FI is #4 Cable Entertainment Network for October In Adults 18-49 and 25-54

SCI FI.COM Enjoys Best October Ever

New York, NY – November 3, 2008 – On Halloween night, the 3rd annual Ghost Hunters Live event, which took place from 7pm-2am at the historic Fort Delaware, scored a 1.5 Household rating, 2.1 million total viewers, 1.4 million Adults 25-54 and 1.3 million Adults 18-49, making SCI FI the #1 cable entertainment channel for the night in all key demos and making this year’s Halloween SCI FI’s best ever in 7-11pm prime. In addition:

·In the 8-11pm time period, SCI FI outperformed ABC among Adults 18-34, Men 18-49 and Men 25-54.

·Ghost Hunters Live is up versus the 2007 Live event by +15% in total viewers, +14% in Adults 25-54 and +5% in Adults 18-49.

·This is SCI FI’s best Friday prime delivery in Adults 18-49 and Adults 25-54 since 2005.

·Ghost Hunters Live produced three of the top five cable telecasts for the day for both Adults 18-49 and Adults 5-54, including the top two telecasts with the 7-9pm and 9-11pm portions of the event.

Ghost Hunters Live wrapped SCI FI’s “31 Days of Halloween,” which featured over 250 hours of horror and sci-fi movies, series, miniseries and originals. The marathon averaged a 1.1 Household rating, 1.5 million total viewers, 814,000 Adults 25-54 and 731,000 Adults 18-49, up +10% in Household ratings, +10% in total viewers, +12% in Adults 25-54 and +2% in Adults 18-49 versus last year’s “13 Days of Halloween.” Compared to the full month of October in 2007, SCI FI has gained +22% in Household ratings, +24% in total viewers, +26% in Adults 25-54 and +17% in Adults 18-49, making the Channel the #4 cable entertainment network for October in both Adults 18-49 and 25-54.

SCIFI.com once again served as the official Halloween destination for fans online, offering an exclusive, multi-camera online video feed, exclusive access to photos from the live event, live Q&A with the TAPS team member Amy Bruni and the return of the “Panic Button” for Web watchers to alert the team of something they saw live on TV.

On Halloween, the Ghost Hunters section of SCIFI.com out-delivered last year’s numbers by a huge margin, scoring 3 million page views and 310,000 uniques. There were 1.2 million streams of the live event – 10 times last year’s 120,000 streams. The “Panic Button” earned 287,000 page views -more than tripling last year (91,000).

Ghost Hunters Live drove SCIFI.com to deliver its best month ever this October in uniques (4.0 million) and visits (6.0 million). SCIFI.com continues to show double-digit increases vs. September 2008 and last year in almost all key metrics. The Ghost Hunters section of SCIFI.com had its best month ever in page views (3 million), as well as its best day ever on 10/31/08 in page views. The new social network, “Join the Hunt” has also signed up 30,000 viewers since its debut on October 24, 2008.

The results of last night’s marathon investigation will be revealed on next week’s all new episode of Ghost Hunters at its regular time, Wednesday at 9PM ET/PT.

In October 2004, SCI FI introduced Jason Hawes and Grant Wilson – plumbers by day, Ghost Hunters by night! Enjoying record-high ratings throughout its run, the series is currently celebrating its highest-rated season ever. Its spin-off series, Ghost Hunters International, has continued to cement the Ghost Hunters brand as the top paranormal franchise in cable since its January debut. The franchise just expanded further with the greenlight of a brand-new pilot, Ghost Hunters: College Edition. Ghost Hunters, Ghost Hunters International and Ghost Hunters: College Edition are produced in association with Craig Piligian’s Pilgrim Films and Television (Dirty Jobs, The Ultimate Fighter, In Harm’s Way). Piligian and Thomas Thayer, along with Rob Katz and Alan David, serve as executive producers.

SCI FI Channel is a television network where “what if” is what’s on. SCI FI fuels the imagination of viewers with original series and events, blockbuster movies and classic science fiction and fantasy programming, as well as a dynamic Web site (www.scifi.com ) and magazine. Launched in 1992, and currently in 93 million homes, SCI FI Channel is a network of NBC Universal, one of the world’s leading media and entertainment companies.

Source: NBC

Nielsen’s struggle to show they are still relevant and accurate in the digital age

Saturday, November 1st, 2008

Op/Ed by Kate Blake admin MV

Interesting article today talking about how the Nielsen ratings company has done a survey of how many people use the internet and TV at the same time. They take a relatively small sampling of a few thousand people and extrapolate that the majority of TV viewing is live and therefore online viewing and DVR ratings don’t matter and that their statistics show that people who are online are checking e-mail etc while watching TV and that the only people streaming TV series a lot and in significant numbers are teenage girls that advertisers and networks shouldn’t worry about.

What a load of crap! As someone who has taken advanced statistics and knows that by definition statistical analysis is subject to highly subjective interpretation- I see this as a company ( the Nielsen Company) working not on finding out how people genuinely view programming but a way for them to try to rationalize that their methodology for monitoring and metering television viewing is still relevant in the digital age.

Excuse me- but yes- there may be a lot of teenage girls who watch Gossip Girl online because they don’t have a DVR to record it when mom and dad want to watch real programming on Monday nights but I don’t buy that Gossip Girl is the top online series for tv viewing. NBC released an announcement last month stating they had the best month ever for their online content with tons of hits – mainly for viewing their archive of current and retired television series. I sincerely doubt that teenage girls are logging on to watch reruns of Miami Vice or classic Battlestar Galactica. The SCIFI website which is owned by NBC had hundreds of thousands of hits last night during their live broadcast of the annual Ghost Hunters interactive live ghost hunt.

How else do we know this data is an inaccurate reflection of true online TV viewing habits? The Gossip Girl website which is where you have to go to watch it online- doesn’t make the top ten TV show sites list very often- the only time they have this fall is during their premiere week, since then FOX and NBC have dominated the top 10 network tv show website lists on MarketingCharts.com

Heroes, Terminator the Sarah Connor Chronicles, NCIS , Criminal Minds, Dancing with the Stars have all dominated this fall. I have to believe these rankings must correpsond with online viewing numbers which the networks never completely release. Why are they kept private? These off air viewings are the viewings that were at the heart of the writer’s stike last winter and the networks make big profits on the advertising they generate online. Online viewings – the profits are not diluted by sharing revenue with affiliates, though some affiliates have made the investment to stream episodes from their own local websites through the network which does give them a piece of the ad pie. Again- none of this information is captured by the Nielsen company survey. They looked at what people do online during primetime.

The whole point to online viewing is you don’t have to do it during primetime! You do it over your lunch break, you do it while riding your stationary bike and have the PC running in front of you, you download iTunes or Amazon download and watch on your iPod while you work out- or as I do on a plane jetting cross country. Veoh is great for this. Set your computer to download some recent shows and watch them later in the week- without being online even!

When a department at your company starts putting out this kind of desperate reports it is usually a last ditch effort to justify their existence and keep from getting cut. What does this mean? This means that the Nielsen Company has to be getting push back from their big cash cow clients the big 4 networks who are demanding more  complete reporting of real viewing habits. The networks are looking at DVR  numbers and I can guarantee the website show managers are in on network meetings every week talking about hits and viewings and ad revenue compared to ratings. As the networks are having to go out and find more data for themselves- the Nielsen’s are becoming less important that they used to be. Right now ad rates are tied to the Nielsen ratings but the company that can come up with a new index for reporting viewings and real penetration into the tv viewing marketplace will revolutionize how television programming is evaluated and ad rates are set.

I keep reading where people wonder how NBC can continue to lay out the big bucks they do and still bring in good revenue on lower ratings than the other big networks. The answer has three components- one is they have the best online presence of any major network – remember they own MSNBC as well as the NBC, USA, SciFi, Oxygen and Bravo networks. NBC has the strongest cable presence of the four networks with their programming consistently dominating the cable ratings. Remember- cable is all profit for the network- no affiliates to share any revenue with. Third thing NBC has- they own and produce top 10 shows on other networks. Desperate Housewives, House and Ghost Whisperer are all NBC Universal productions. When you own three top twenty hits that you don’t even broadcast and get paid for them- that adds significantly to your bottom line as well.

Fox, ABC and CBS keep their overall production costs lower by offering longstanding reality TV fare. Reality TV is a staple at Fox- to the extent they have relied on it too much and now find themselve looking for some alternatives. American Idol dropped some in ratings last year but is still the number one series on TV and brings in weekly numbers no other show can match. Survivor has been CBS’s mainstay for years- but it is showing its age now and is not attracting new viewers. Dancing with the Stars keeps ABC floating but I have to think this will fade in popularity a lot faster than Idol- but that is my opinion as I really don’t need to see a bunch of has beens try to get back in the public eye, I prefer to see fresh talent on the rise.

I have written here about how SCIFI TV gets short shifted in ratings evaluations- and I still contend there are a lot more of us who don’t ever fall into the Nielsen demographics who watch television online and live and never get counted.

The Nielsen’s Ratings tend to try to evaluate middle America- families with kids living at home. Single people, people with roommates, older viewers and other people without kids don’t get counted very often. The fastest growing group of consumers in this country is people without kids- either by choice or their kids are grown and moved away. Hollywood actually reflects the trend of more people over 30 and even 40 having kids but the Nielsen numbers don’t.

I am putting a challenge out right now- this is to Gallup, IDC and other big marketing companies in America. Work on building out a statistical model for metering television ratings that is inclusive of more socioeconomic groups, more household types, more age groups, more ethnic groups, and more education levels than the current Nielsen ratings do. Work on a piece of technology to truly monitor what they watch and when- and ask people to submit weekly reports on their other off air viewings. Ask what DVDs they watch and purchase- and rent or stream from Netflix and other sources. I am betting that for the first time in half a century another company could come in and win a big contract to build out new ad rates for the big 4 networks.

Read the Nielsen Internet Article HERE

Biggest DVR Gains for Premiere Weeks

Wednesday, October 15th, 2008

By Kate Blake- Admin MV and EH

The Hollywood Reporter analyzed the season premiere ratings for a slew of new and returning shows and looked at how much their season premiere numbers increased when you look at DVR numbers. The super competitive Monday night with Heroes vs Prison Break and Terminator vs Chuck saw big gains for those shows ( not Chuck- it was just outside this list). All 4 of these series are on against the number one rated Dancing with the Stars and Monday Night Football. Too many choices on Monday night is the bottom line!

Moving on to Tuesday- 90210 and Privileged are the big DVR winners for the CW. Both of these new female friendly dramas/ dramedy in the case of Privileged- saw significant ratings boosts from DVR viewings. I have a lot of friends with kids who are DVRing 90210 and watching it when the kiddies are in bed- so much for only attracting the youth audience!

Lipstick Jungle continues to struggle with live viewings but has significant gains when DVR numbers are added in. I am guessing by the number of hits on the trailers for the show that we have posted on The Entertainment Hotline that people must be watching it online as well.

Thursday night the CW and ABC both saw big increases with Smallville and Grey’s Anatomy getting DVR boosts as did NBC with The Office.

I don’t mention the Fringe numbers as those are a bit goofy. FOX as may recall did a HUGE encore of the series premeire which boosted its numbers way over what it is doing on a weekly basis. Bones and House continue with strong live viewings as well as DVR numbers.

What do the DVR numbers mean? Well for one thing they show a stronger reflection of what regular people actually watch. DVR numbers are not Nielsen family ratings which have been for decades the only marker used to quantify a show’s success. DVR numbers come from anyone who is a cable or satellite subscriber who has authorized their provider to collect viewing date about thier DVR habits. You do this when you set up your system- if you have any questions ask your provider. I am a DirecTV customer and have opted in on all three of my DVRs when I set them up initially.

DVR numbers have several sets of viewing statistics that are collected. First is time shifted viewing which is where you watch the show while it is still on but come in say 20 minutes late, or you watch it within a few hours of it airing. Next round of numbers- how many people watch the show they recorded within 24 hours. Then they collect within 7 days and then within 14 days. Also collected- how many times do you repeat your viewing- say re-watch a show.

The power in the DVR numbers is that day time dramas like Days of Our Lives which for years was the number one recorded soap but not the number one show with live viewings- can now quantify how many people actually tune in to their series. You are seeing all of the television landscape change as a result of fewer people watching ads. Product placement is key. Smallville was downright obnoxious last season when the entire episode 713 Hero revolved around a magic version of Stride Gum- but everyone knew the name of the product by the end of the episode. Gossip Girl’s premiere was brought to you by Vitamin Water. Plenty of other shows have done the same thing- showing cars and all kinds of tech devices and making sure you see the logos. Terminator is being brought to you by Dodge this fall and My Own Worst Enemy just premiered with the new Camaro and some new mini-van thing from Chevy. Sorry- the mini-van did not do it for me.

Does this mean your show is safe even though its numbers were lower? We will have to wait and see but the networks are in a state of flux, having to change the business model they have used to measure success for a very long time. Sorry Hollywood- but technology has surpassed the once mighty Nielsen box. It is time to catch up with the rest of us!

SCI FI SCORES MOST WATCHED 3RD QUARTER EVER

Thursday, October 2nd, 2008

DOUBLE DIGIT GROWTH IN KEY DEMOS AND BEST Q3 WITH YOUNGER VIEWERS

RANKS 5TH WITH VIEWERS 25-54 AND 6TH AMONG VIEWERS 18-49

BEST SEPTEMBER EVER AMONG VIEWERS 25-54,18-34 AND FEMALE VIEWERS

NEW YORK – October 1, 2008 – SCI FI’s broad appeal, original scripted and alternative programming combined to deliver the Channel’s most watched 3rd quarter ever and its best September ever in key demos and female viewers. Double-digit growth for Q3 (Adults 25-54 / +12% vs. Q3 2007, Adults 18-34 / +11%, Women 18-34 / +12%, Women 18-49 / +16%, and Women 25-54 / +14%) places the Channel in the 5th position among viewers 25-54 and 6th with viewers 18-49. The Channel also ranks in the top ten in total viewers, Men 18-34, 18-49, 25-54, and Women 25-54.

Q3 ratings highlights include:

SCI FI is up double-digits in the key demos vs. third quarter of 2007: Up 11% with Adults 18-49 (639,000), + 12% in Adults 25-54 (718,000), +17% in Adults 18-34 (261,000), +17% for Adults 18-34 (261,000) and +12% in total viewers (1.3 Million)

The first half of Eureka’s third season has averaged a 2.1 HH rating, 1.6 million Adults 25-54, 1.4 million Adults 18-49 and 2.8 million total viewers. It also delivered double-digit increases vs. the summer 2007 season 2 in HH ratings (+12%), total viewers (+15%) and Adults 25-54 (+15%). The series has also increased by +6% among Adults 18-49 viewer.

Eureka was the #1 cable entertainment program and Tuesday evenings in August and September for Adults 25-54.

The current season of Ghost Hunters is delivering 2.7 million total viewers (+26%) vs. fall of 2007, 698,000 Adults (+4%), 1.6 million Adults 18-49 (+16%) and 1.7 million Adults 25-54 (+26%).

The summer season of Ghost Hunters International attracted 2.4 million total viewers (+11% vs. the first half of its season) and 1.4 million Adults 25-54 (+5%).

The second half of Destination Truth’s second season is averaging 1.6 million total viewers vs. its spring season (+10%), 450,000 Adults 18-34 (+14%), 934,000 Adults 18-49 (+8%) and 974,000 Adults 25-54 (+6%).

Season 3 of Scare Tactics returned to the network with stellar ratings averaging 1.8 million total viewers (+79% vs. its second season airing in 2004), 553,000 Adults 18-34 (+60%), 1 Million Adults 18-49 (+60%) and 1 million Adults 25-54 (+65%).

To date, season 5 of Stargate Atlantis is averaging 1.97 million total viewers (+13% vs. fall of 2007), 1 million Adults 18-49 (+8%) and 1.2 million Adults 25-54 (+12%).

SCIFI.com also scored high with its best 3Q ever in uniques(3.2 Million), page views (27.4 Million), visits (4.8 Million) and streams (3.6 Million). The award-winning website also had its best 3Q ever in engagement with an average 11.8 minutes per visit and 18.2 minutes per unique.

· This was the best quarter ever for Eureka in page views delivering 2.3 Million on average and video streams delivering 947,000 streams on average.

· Destination Truth had its best quarter ever in page views (325,000) and video streams (166,000).

· Ghost Hunters International had its best quarter ever in video streams delivering 397,000K on average.

· DVICE www.dvice.com, the tech blog powered by SCI FI.com, had its best quarter ever averaging 1.9 Million page views.

Source:NBC

‘Fringe’ underwhelms, but wins night, view online

Wednesday, September 10th, 2008

Ratings are in for the Fringe premiere- and it appears people just are not watching episodic TV yet. If you missed the premiere- you can catch it online right here!

From Variety

The broadcast competition intensified on the second Tuesday of September, which saw Fox’s “Fringe” win its timeslot in key demo categories despite a less than spectacular result, while CW’s “90210″ lost about a third of its strong premiere audience in its second week.

According to preliminary nationals from Nielsen, “Fringe” opened to roughly a 3.2 rating/9 share in adults 18-49 and 7.1 million viewers overall for its premiere from 8 to 9:35 p.m., winning its time period in 18-49 as well as adults 18-34 (2.5/8). It was the night’s top program in 18-49, though the number was underwhelming considering the hype and promise for the latest from “Lost” co-creator J.J. Abrams. Beginning next week, “Fringe” will air behind megahit “House,” giving it a good chance to improve its showing in week two.

GHOST HUNTERS INTERNATIONAL WRAPS UP STELLAR SUMMER SEASON

Sunday, August 24th, 2008

NEW YORK – August 21, 2008 – An investigation at the castle allegedly haunted by the spirit of “Vlad the Impaler,” the inspiration for Bram Stoker’s Dracula, capped off a stellar summer season of SCI FI’s hit reality series Ghost Hunters International. Airing Wednesday evening at 9 PM ET/PT, the episode concluded a successful summer run that has averaged a 1.7 Household rating, 1.3 million Adults 18-49, 1.4 million Adults 25-54 and 2.3 million total viewers, up +9% from the show’s 2008 winter season.

Ghost Hunters International has continued to cement the Ghost Hunters brand as the top paranormal franchise in cable since its January debut, outperforming other recently-launched paranormal cable series by a significant margin in total viewers, including, Lifetime’s America’s Psychic Challenge (+78%) and A&E’s Psychic Kids (+60%) and Paranormal State (+39%).

A spin-off of SCI FI’s popular Ghost Hunters series, Ghost Hunters International features a squad of real-life “ghost-busters” – ordinary people who investigate and attempt to debunk claims of otherworldly activity. The team travels to different international cities each week in pursuit of the truth behind bizarre supernatural claims. New episodes of Ghost Hunters International will debut on SCI FI in 2009.

Season 4 of the original Ghost Hunters, featuring lead investigators Jason Hawes and Grant Wilson, will return with new episodes on September 3 at 9 PM with a case at Iron Island Museum in Buffalo, NY. Then, at 10 PM, Destination Truth, featuring world-adventurer Josh Gates, premieres new episodes with investigations in Australia and Malaysia. It all leads up to the 3rd annual Ghost Hunters Live special on Halloween night, airing from 7pm-2am at the historic Fort Delaware.

Source: NBC

SCI FI’S ‘EUREKA’ SEASON 3 PREMIERE IS HIGHEST-RATED AND MOST-WATCHED ORIGINAL SCI FI SERIES EPISODE IN 2 YEARS

Wednesday, August 20th, 2008

‘Eureka’ Takes Surprising Turn This Week with Demise of a Leading Character and the Arrival of Special Guest Star Ever Carradine as ‘Lexi Carter’

NEW YORK – August 18, 2008 – Eureka, SCI FI’s hit original dramedy starring Colin Ferguson, Salli Richardson-Whitfield and Joe Morton, added to its stellar season 3 premiere numbers with the release of new Live +7 data. Overall the July 29 premiere episode averaged a 2.4 HH rating, 1,606,000 Adults 18-49, 1,776,000 Adults 25-54, and 3,363,000 total viewers.

The episode is now the highest-rated and most-watched episode of any SCI FI original series since the Eureka series premiere on July 18, 2006. In total viewers, it ranks as the 4th most-watched episode of any SCI FI original series ever.

Eureka, a series about a small town of geniuses and the havoc their top-secret work often wreaks, takes a shocking turn in this week with the demise of one of the show’s leading characters. The arrival of Allison (Richardson) and Nathan’s (Ed Quinn) wedding day coincides with an apparent loop in time, and Sheriff Jack Carter (Ferguson) is baffled that he — and only he — is reliving Allison’s wedding day over an over again. Carter also gets an unexpected extended visit from his free-spirited sister Lexi (guest star Ever Carradine). By episode’s end, one of Eureka’s heroes will fall.

Eureka also stars Jordan Hinson as Zoe Carter, Erica Cerra as Deputy Jo Lupo, and Neil Grayston as Douglas Fargo.

Co-creator Jaime Paglia and Charlie Craig (The X Files, Brimstone) are Executive Producers and Thania St. John and Bruce Miller are Co-Executive Producers. Eureka is produced by the Universal Cable Productions.

NBC