More single Emmy nominations from some of our favorite series- Chuck is up against Burn Notice in the stunts category, the special effects area is tight. I think BSG might get it but am thrilled to see Sanctuary get a nod for its all green screen filming and 100% digital environment. Smallville and Terminator: The Sarah Connor Chronicles have two of their best episodes of the seasons facing off in the sound editing category. Life on Mars may not have been renewed but it snagged a most coveted Best Cinematography nomination. Bones gets a nomination for Art Direction for Hero in the Hold- the episode with Booth trapped on the ship and hallucinating. The fun final nod on this list is the nomination of Joss Whedon’s Dr. Horrible’s Sing-Along for best web series- especially sweet when Dollhouse was shut out completely. In some non- sci-fi nominations, Nate Fillion’s Castle received a nod for best score and William Shatner received a best supporting actor in a drama nomination for his work on Boston Public.
Outstanding Stunt Coordination
Chuck • Chuck Versus The First Date • NBC • College Hill Pictures, Wonderland Sound and Vision in association with Warner Bros. Television
Merritt Yohnka, Stunt Coordinator
Outstanding Special Visual Effects For A Series
Fringe • Pilot • FOX • Warner Bros. Television and Bad Robot Productions
Kevin Blank, Visual Effects Supervisor
Jay Worth, Visual Effect Coordinator
Andrew Orloff, Visual Effects Supervisor
Johnathan Banta, 2D Lead Artist
Steve Graves, 3D Lead Artist
Jonathan Spencer Levy, Visual Effects Supervisor
Scott Dewis, 3D Artist
Steve Fong, Compositing Artist
Tom Turnbull, Visual Effects Supervisor
Sanctuary • Sanctuary For All • Syfy • Sanctuary Productions
Lee Wilson, Visual Effects Supervisor
Lisa Wilson, Visual Effects Producer
Sebastien Bergeron, Digital Effects Supervisor
Les Quinn, CG Supervisor
Matt Belbin, Visual Effects Coordinator
Mladden Miholjcic, CG Artist
Ken Lee, CG Artist
Philippe Thibault, Compositor
Outstanding Sound Editing For A Series
Smallville • Bloodline • CW • Tollin/Robbins Productions and Warner Bros. Television
Michael E. Lawshe, Supervising Sound Editor
Jessica Dickson, Dialog Editor
Norval Crutcher III, ADR Editor
Paul Diller, Sound FX Editor
Marc Meyer, Sound Effects Editor
Tim Cleveland, Sound Effects Editor
Jenny Leite, Sound Editor
Chris McGeary, Music Editor
Michael Crabtree, Foley Artist
Al Gomez, Foley Artist
Terminator: The Sarah Connor Chronicles • Mr. Ferguson Is Ill Today • FOX • Bartleby
Company and The Halcyon Company in association with Warner Bros. Television
Jon Ibrahim Mete, Supervising Sound Editor
Pat Foley, Dialogue Editor
Tim Farrell, Sound Effects Editor
David Werntz, Sound Effects Editor
Jerry Edemann, Sound Editor
Michael Baber, Music Editor
Catherine Rose, Foley Artist
Shelly Roden, Foley Artist
Outstanding Cinematography For A One Hour Series
Life On Mars • Out Here In The Fields • ABC • A Space Floor TV and Kudos Production in
association with 20th Century Fox and ABC Studios
Kramer Morgenthau, Director of Photography
Outstanding Art Direction For A Single-Camera Series
Bones • The Hero In The Hold • FOX • 20th Century Fox Television
Michael Mayer, Production Designer
Gregory S. Richman, Art Director
Kimberly Wannop, Set Decorator
Outstanding Special Class – Short-format Live-Action Entertainment Programs
Dr. Horrible’s Sing-Along Blog • drhorrible.com • Mutant Enemy, Inc.
Joss Whedon, Producer
Michael Boretz, Producer
David Burns, Producer
